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3! 7?5RH/JBw_13@ ++3+/ֱ+ + 999013! 3! %>?RH/JB#w1h@ ++3+/ֱ+ + 999013! 3!  %VTTRH/JB% X1'j ++3+/%3+2(/ֱ+ )++" )+"+ )+ 99013! 3! 4632#"&%4632#"&;*);:*+:;)*:9+*:RH/JB`(::(*:9+(::(+9:!32+++ 3+/ֱ +9013;273#%!i/TfӦu>?+="q'?w Y++++  +  +/ֱ  22 + + 9990133!2#!!2654&!6 :p!'^+++ 3+/%3+2(/ִ )++  +" )+)+9013;273#4632#"&%4632#"&!i/TfӦ:*);:*+9;)*;:+*:+="q'?(::(*:9+(::(+9:Z v+32+2  + !/ֱ + 2 +@ +"+999 99 99901$32!!!!!!#"$327&#"ZJ[9y!X;oW@,< 5V9D5 + +/ִ + + ++  901>57'"&4632/F#7=,+;]C,; 5V9D5W@:+  ++/ִ + + ++  901>57'"&4632/F#7=,+;]C,; 5V9D5W@! a+3+/3  +2!/ִ+ + +++ + +"+ 990146732"&%46732"&]CJ/D"8>X;y]CJ/F"857'"&4632!>57'"&4632/F#7=,+;]C//D"8>,*=]C,; 5V9D5W@,; 5V9D5W@#`+3 +2+!+$/ִ+ + ++ + + +%+  9901>57'.54632!>57'.54632/F#7>+,:]C/E#7>+,:]C,<4*,:D7W@,<4*,:D7W@F./ + +/ִ + + +01462"sqqqqs{`  E +3322 +!/ֱ ++"+0164632#"$4632#"$4632#"{2"#12"#2"#12"#2"#12"#F/0"#11F/0"#11F/0"#1 /ִ ++9901 ^yb^^!/ְ2 ++901 7 y^P^!!Z3.++$ ++ +3!+ 2+ +3!+2//ֱ +@ +2 +@ +20+ .99$'(99990153&547#536$32.#"!!!!32$7# Z\\k#1X`H1AT31Ǥ EXn6)wu ʭ+xuwជ+@-/+ 33!+2 +@ +22$ +$!+0/ִ+ +@ + +@ ++/+/++1+/ +99!$99999!),$9015!##3;2>73#4>+"#'.+"-Jnh  hn%9$-mm-9:f0r>?>>r0A^_<˴˴hh($|;H"Z ZF/`1{%ZIZ\ZZ\ZpFZ;{{Z\Z%-ZZ\Z$=ZZH-%5X!?!{%N=t3%-ZZ\Z$=ZZH-%5X!?!{!$Z?;^=!5H+3Z)1Z%XL))t3/Z{3f)X%%%%%%%Z$$J$$dZZZZZZ5Z?!(%%%%%%%Z$$J$$dZZZZZZZ?!?!ZZ?!#`3hhx<<{i111(fff{{hZI-2d^ :f Zr V<T 4 H " d " j d >f,Fvd0bt HBdx.vDJ>jV l !"D"#.###$|$$%4%&&$&d&&''f'(8()*B**+&+,<,- --..j./ /4/h/0,01,1223H3j348445F556P667478J8999:,:x:;;B;v;<:<=:=>>?V?@"@l@AAzABB~BCfCCDPDPDPDPDPDPDPDPDPDPDPDPD^DlDzDDDEEZEF FFGGG*GPGPGHxWnZ|<7 T ~    VNk    : x x~ 5 8 b  0 " + 0  ]NormalNormalFontForge 2.0 :  : 18-4-2012FontForge 2.0 :  : 18-4-2012Version 2.001;PS 002.001;hotconv 1.0.56;makeotf.lib2.0.21325Version 2.001;PS 002.001;hotconv 1.0.56;makeotf.lib2.0.21325Jan TonellatoJan TonellatoJan TonellatoJan Tonellato| OVERVIEW | This is the revised and improved version of Novecento, an uppercase-only font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th.It looks rational and geometric. However, it is optically corrected and balanced. This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. Lighter faces provide a more contemporary and design look&feel, while the bolder ones definitely look retro.Novecento family was kerned with love and patience; each font has between 1030 and 1090 kerning pairs.Novecento is available both in opentype format (.otf) and as a webfont (@fontface). | OPENTYPE FEATURES | CASE Set All-Caps to get colon and semicolon glyphs centered. DNOM & NUMR Small 0 to 9 figures to get proper weight numerators (aligned to cap height) and denominators (aligned to baseline). FRAC Custom fractions generation feature SUPS Small 0 to 9 figures to get proper weight superiors. LOCL Romanian and Polish advanced diacritics support. Just select your text language to activate the localized accents. SS01 / SALT Alternate Q letter shape for ultra narrow line heights. Implemented both as Stylistic Set n1 (ss01) and Stylistic Alternate (salt) to maximize compatibility between applications. SS02 / SALT Alternate N letter shape. Implemented both as Stylistic Set n2 (ss02) and Stylistic Alternate (salt) to maximize compatibility between applications. SS03 / SALT Alternate I letter shape. Implemented both as Stylistic Set n3 (ss03) and Stylistic Alternate (salt) to maximize compatibility between applications. SS04 / SALT Alternate J letter shape. Implemented both as Stylistic Set n4 (ss04) and Stylistic Alternate (salt) to maximize compatibility between applications. SS05 / SALT Alternate Y letter shape. Implemented both as Stylistic Set n5 (ss05) and Stylistic Alternate (salt) to maximize compatibility between applications. TNUM / PNUM Tabular/proportional figures set. Figures of same width always align, despite of their weight. ZERO / SALT Slashed zero alternate glyph, works with tabular and proportional figures, numerators, denominators and superiors. Implemented both as Zero as Salt to maximize compatibility between applications.| OVERVIEW | This is the revised and improved version of Novecento, an uppercase-only font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th.It looks rational and geometric. However, it is optically corrected and balanced. This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. Lighter faces provide a more contemporary and design look&feel, while the bolder ones definitely look retro.Novecento family was kerned with love and patience; each font has between 1030 and 1090 kerning pairs.Novecento is available both in opentype format (.otf) and as a webfont (@fontface). | OPENTYPE FEATURES | CASE Set All-Caps to get colon and semicolon glyphs centered. DNOM & NUMR Small 0 to 9 figures to get proper weight numerators (aligned to cap height) and denominators (aligned to baseline). FRAC Custom fractions generation feature SUPS Small 0 to 9 figures to get proper weight superiors. LOCL Romanian and Polish advanced diacritics support. Just select your text language to activate the localized accents. SS01 / SALT Alternate Q letter shape for ultra narrow line heights. Implemented both as Stylistic Set n1 (ss01) and Stylistic Alternate (salt) to maximize compatibility between applications. SS02 / SALT Alternate N letter shape. Implemented both as Stylistic Set n2 (ss02) and Stylistic Alternate (salt) to maximize compatibility between applications. SS03 / SALT Alternate I letter shape. Implemented both as Stylistic Set n3 (ss03) and Stylistic Alternate (salt) to maximize compatibility between applications. SS04 / SALT Alternate J letter shape. Implemented both as Stylistic Set n4 (ss04) and Stylistic Alternate (salt) to maximize compatibility between applications. SS05 / SALT Alternate Y letter shape. Implemented both as Stylistic Set n5 (ss05) and Stylistic Alternate (salt) to maximize compatibility between applications. TNUM / PNUM Tabular/proportional figures set. Figures of same width always align, despite of their weight. ZERO / SALT Slashed zero alternate glyph, works with tabular and proportional figures, numerators, denominators and superiors. Implemented both as Zero as Salt to maximize compatibility between applications.typography.synthview.comtypography.synthview.comwww.synthview.comwww.synthview.comPlease refer to the EULA (End User License agreement) you received with this software.Please refer to the EULA (End User License agreement) you received with this software.Novecento wideNovecento wideNormalNormal  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghjikmlnoqprsutvwxzy{}|~     glyph1glyph2uni00A0uni00ADuni00B2uni00B3uni00B9uni2000uni2001uni2002uni2003uni2004uni2005uni2006uni2007uni2008uni2009uni200Auni2010uni2011 figuredashuni202Funi205FEuroKPXYF+X!YKRX!Y+\X E+D E++D EH++D E++D E+D E+Fv+D E+Fv+DY+O-y